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Portrait of Ninhursag, Mesopotamian deity
Mesopotamian
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Mesopotamian

Ninhursag

The Mother Earth of the Mountain

Domain
Fertility & Creation of Life
Alignment
Neutral Good
Element
Earth
Relics of Power
Womb of Clay
Speak with Ninhursag

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Sumerians, Akkadians & Babylonians
Region
Mesopotamia (modern Iraq)
Period
c. 3500 – 500 BC

The Mesopotamian gods were worshipped by the Sumerians, Akkadians, Babylonians, and Assyrians in the land between the Tigris and Euphrates, the cradle of writing and cities. Each city raised a ziggurat to its patron god, served by a powerful priestly caste. Their myths, such as the Enuma Elish and the Epic of Gilgamesh, are among the oldest in the world.

The Akitu festival opened the new year with processions along Babylon's Sacred Way, and the sacred marriage rite symbolically united Inanna and Dumuzi to ensure fertility. Lamentations, hymns, and divination by animal livers marked daily religious life.

At a glance

Ninhursag is a major goddess of Sumerian tradition associated with the generation of life, birth, and the mountain. Her name may be understood as “Lady of the Mountain,” but sources also present her under titles such as Ninmah and Nintur. In Enki and Ninhursag, she brings forth plants and later heals Enki through the birth of deities. In Enki and Ninmah, she takes part in a reflection on the formation of humans, but the source assigns the initial idea and work with clay to Namma and Enki. The Kesh Temple Hymn places her in a prestigious cult centre. These narratives do not form one biography; they preserve different roles of a goddess worshipped for many centuries.

8 min read · Reviewed on October 14, 2026 · How we research

Sacred symbols

The womb symbol (omega), the mountain, the milk and the herbs

Family

Ninhursag
Unions
Children
Ninnisig (in Enki and Ninhursag)Ninurta
Genealogy according to ETCSL 1.1.1, linhas 63–87; ETCSL 1.6.2, linhas 368–410; Oracc, Mother Goddess

Sources and further reading

Primary sources

  • ETCSL, University of Oxford, Enki and Ninhursag. read
  • ETCSL, University of Oxford, Enki and Ninmah. read
  • ETCSL, University of Oxford, Hymn of the Temple of Keš. read
  • ETCSL, University of Oxford, The Exploits of Ninurta. read

Studies

  • Nicole Brisch, Mother Goddess (Ninmah, Nintud/r, Belet-ili), Ancient Mesopotamian Gods and Goddesses, Oracc. 2019. open

Name and epithets

Ninḫursaĝa, written here as Ninhursag, means “Lady of the Mountain” in the reading offered by the poem of Ninurta’s exploits: there the hero gives that name to his mother Ninmah when he assigns a mountain to her.

In the ancient sources

Enki and Ninhursag, Sumerian composition preserved in ancient witnesses. Dilmun, divine generations, plants, curse, and Enki’s healing; includes variants and gaps.

The myths

Dilmun before fresh water. The poem Enki and Ninhursag opens by describing Dilmun as a pure land. The absence of illness, old age, and violence appears in poetic formulas; the text is not a historical report on a real i…

Worship and archaeology

Kesh is the mother goddess’s main centre according to the academic Oracc profile; its precise archaeological location is still discussed. Adab and other cities also record devotion to her.

How the god was depicted

No single secure image of Ninhursag explains every name of the mother goddess. Oracc mentions an inverted omega-like sign in a monumental setting as a symbol attributed to the mother goddess, but identification of parti…

What scholars debate

Equivalences and human creation. The names Ninhursag, Ninmah, and Nintur often intersect, but the narratives do not always assign the same roles.

After antiquity

Modern research has access to translations in Oxford’s Sumerian corpus, which preserve gaps and variants, and to the Oracc profile, which gathers evidence of worship and names.

Did you know?

In Ninurta’s Exploits, the son explains the name Ninhursag by assigning to his mother the mountain he formed. The Kesh hymn describes instruments and ritual specialists inside the goddess’s house.

Codex relic

Womb of Clay. The sacred clay with which she and Enki molded the first human beings.

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