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Portrait of Oshun, Yoruba deity
Yoruba
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Yoruba

Oshun

The Queen of the Sweet Waters

Domain
Rivers, Love, Gold & Fertility
Alignment
Neutral Good
Element
Water
Relics of Power
Mirror and Golden Abebé
Speak with Oshun

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Yoruba people
Region
West Africa & the diaspora
Period
c. 1000 AD – present

The orixás are worshipped by the Yoruba people of present-day Nigeria and Benin, with Ile-Ife as their spiritual center. Through the slave trade, their faith crossed the Atlantic and flourished in the Americas as Candomblé, Santería, and Vodou. It is today one of the most living and widespread African religious traditions in the world.

The Osun festival in Osogbo, Nigeria, draws thousands to the sacred grove of the Osun river, a UNESCO heritage site. The Ifá oracle guides decisions through the odus, and in Brazil the Candomblé terreiros honor each orixá with their own drums, dances, colors, and foods.

At a glance

Oxum (in the standard Yoruba orthography Ọ̀ṣun, revered with the regal titles Ìyálóde, Ọ̀lọ́lá Àbátà and Yèyé Kari) is the orisha of sweet waters, of the great rivers, of the waterfalls, of female fertility, of gold, of gleaming brass, of love and of spiritual wealth in the traditional Yoruba religion and in Afro-Atlantic traditions. The sovereign patron of the sacred city of Òṣogbo (Osogbo), in Nigeria, where her tutelary river runs through the Sacred Grove listed as a UNESCO World Heritage Site, Oxum is the seventeenth primordial deity in the cosmogony of Ifá. When the male deities sent by Olodumare tried to organize creation while excluding her from political and liturgical decisions, the whole cosmos stagnated in drought and sterility; only after the gods acknowledged the indispensability of female power and paid her public homage did the springs flow again and life triumph. Endowed with refined strategic intelligence, Oxum obtained from Orunmilá mastery of the oracle of the sixteen cowries (ẹẹrìndínlógún), becoming the great spiritual counsellor who protects the wombs of mothers and guides the growth of children.

6 min read · Reviewed on September 29, 2026 · How we research

Sacred symbols

The golden abebé (fan), the mirror, the gold and the color yellow

Family

Parents
Oshun
Children
Genealogy according to Corpus de Ifá (Odu Òsétùrá, Òbàrà Méjì); Jacob K. Olupona (2001); Pierre Verger (1957, 1981); Rowland Abiodun (2014); Ulli Beier (1975)

Sources and further reading

Primary sources

  • Jacob K. Olupona, Òṣun across the Waters: A Yoruba Goddess in Africa and the Americas. translation: Coletânea de fontes etnográficas e oriki, Bloomington: Indiana University Press, 2001.
  • Pierre Verger, Dieux d'Afrique: Culte des orishas et vodouns à l'ancienne Côte des Esclaves. translation: Paris: Paul Hartmann Éditeur, 1954.
  • Ulli Beier, The Return of the Gods: The Sacred Art of Susanne Wenger. translation: Cambridge: Cambridge University Press, 1975.

Studies

  • Diedre L. Badejo, Ọ̀ṣun Sèègèsí: The Elegant Deity of Wealth, Power, and Femininity. Africa World Press, Trenton, 1996.
  • Sandra T. Barnes, Women in Yoruba Religion and Society. University of Pennsylvania Press, Filadélfia, 1990.
  • Oyeronke Oyewumi, The Invention of Women: Making an African Sense of Western Gender Discourses. University of Minnesota Press, Minneapolis, 1997.

Name and epithets

The theonym Ọ̀ṣun is linguistically tied to the Yoruba roots associated with the perennial flow of sweet waters, vital effervescence and the reddish colour of brass (ide).

In the ancient sources

Canonical Corpus of Ifá (Odu Òsétùrá), Archaic oral tradition of Osogbo and Ifé.. The poetic scripture that grounds Oxum's cosmogonic triumph over the prejudice of the male gods.

The myths

The Exclusion of Oxum and the Cosmic Triumph of Feminine Power. According to the master narrative of the Odu Òsétùrá of Ifá, Olodumare sent seventeen primordial deities to the earth to transform the raw soil into an org…

Worship and archaeology

The cult of Oxum has as its worldwide epicentre the city of Osogbo, in Nigeria, where the annual Ọ̀ṣun Osogbo festival attracts crowds of devotees and international tourists in August.

How the god was depicted

The traditional iconography of Oxum is dominated by the gleaming splendour of polished brass (ide) and gold. Her characteristic symbol is the abebê (abèbè), a circular fan of gilded metal with a mirror set into its cent…

What scholars debate

Female Political Agency and Yoruba Matriarchy. African anthropologists and historians such as Oyeronke Oyewumi and Niara Sudarkasa debate the figure of Oxum as irrefutable evidence of the political and economic power of…

After antiquity

Oxum has established herself as a global icon of female empowerment, nurturing motherhood and Afro-descendant beauty, honoured in fundamental works by artists such as Beyoncé (in the visual album Lemonade), Susanne Weng…

Did you know?

The most sacred metal consecrated to Oxum in the Yoruba tradition is not originally European gold, but polished brass (ide), a luminous metal alloy associated with longevity, feminine royalty and magical protection agai…

Codex relic

Mirror and Golden Abebé. A golden mirror-fan that reflects beauty, vanity, and the power of the river waters.

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