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Portrait of Fujin, Japanese deity
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Fujin

The God of Wind

Domain
Wind & Typhoons
Alignment
Chaotic Neutral
Element
Air
Relics of Power
Bag of Winds
Speak with Fujin

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Japanese
Region
Japanese archipelago
Period
c. 500 BC – present

The kami of Shinto have been worshipped in Japan since time immemorial, in thousands of shrines across the archipelago. The imperial family claims direct descent from the sun goddess Amaterasu, and the cult coexists with Buddhism brought from the mainland. Festivals (matsuri) and purification rites keep these beliefs alive to this day.

Matsuri fill the streets with processions of portable shrines (mikoshi), drums, and dances. The great shrine of Ise, dedicated to Amaterasu, is rebuilt every twenty years, and at hatsumode millions visit the shrines at New Year to ask for blessings.

At a glance

Fūjin (風神, designated in archaic Shinto records as 志那都比古神 / Shinatsuhiko no Kami and in esoteric Buddhism as 風天 / Fūten) is the Japanese deity of winds, atmospheric currents, morning mist dissipation, and agricultural typhoons. His foundational genesis appears in the cosmogonic narratives of the 'Kojiki': when the primeval creators Izanagi and Izanami were fashioning the archipelago, heavy damp mists smothered the newborn islands; Izanagi drew a mighty breath and blew forcefully across the waters, and from that very exhalation of his breath was born Shinatsuhiko ('Prince of Long Soughing Breath'). In the 'Nihon Shoki', he appears alongside his divine female counterpart Shinatobe no Mikoto, establishing the paired wind deities revered at the imperial sanctuary of Tatsuta Taisha in Nara, whose classical liturgies (the Tatsuta Norito in Book 8 of the 'Engishiki') were instituted in 675 CE by Emperor Tenmu to avert destructive typhoons from rice paddies. Inseparable from his brother Raijin (the thunder god), Fūjin was syncretized with the Buddhist deva Vāyu as a fierce temple guardian, famously captured in thirteenth-century National Treasure wood carvings at Sanjūsangen-dō and in the iconic seventeenth-century folding screens by Tawaraya Sōtatsu. Iconographically, Fūjin appears as a muscular, oni-like demon with green or dark complexion, fierce fangs, and a giant billowing sack of wind (kazabukuro) slung over his shoulders, holding both nozzles open to unleash atmospheric currents and summon the historic Kamikaze storms.

8 min read · Reviewed on September 30, 2026 · How we research

Sacred symbols

The bag of winds, the green skin, the clouds and the typhoon

Family

Parents
Izanagi no Mikoto and Izanami no Mikoto (generated directly from the potent breath exhaled by Izanagi)
Siblings
Shinatobe no Mikoto (sister goddess and feminine polarity of winds); and Raijin / Ikazuchi no Kami (divine brother of thunder and storms)
Fujin
Unions
Shinatobe no Mikoto (revered in indivisible liturgical pairing within imperial liturgies at Tatsuta Taisha)
Genealogy according to Kojiki 1.6; Nihon Shoki 1.14-16; Engishiki 8 (Tatsuta Norito)

Sources and further reading

Primary sources

  • Ō no Yasumaro (太安万侶), Kojiki (古事記 / Records of Ancient Matters). translation: Basil Hall Chamberlain (1882) / Donald L. Philippi (1969). read
  • Toneri Shinnō (舎人親王), Nihon Shoki (日本書紀 / Chronicles of Japan). translation: William George Aston (1896). read
  • Fujiwara no Tadahira (藤原忠平), Engishiki (延喜式 / Procedures of the Engi Era). translation: Felicia Gressitt Bock (1972). read
  • Priests of Iwashimizu, Hachiman Gudōkun (八幡愚童訓). translation: Kuroita Katsumi, Shintei Zōho Kokushi Taikei.
  • Priests of Ise, Kōtai Jingū Gishikichō (皇太神宮儀式帳). translation: Documentary edition of the Jingū Shichō. read

Studies

  • Carmen Blacker, The Catalpa Bow: A Study of Shamanistic Practices in Japan. George Allen & Unwin, 1975. open
  • William George Aston, Shinto: The Way of the Gods. Longmans, Green, and Co., 1905. open
  • Thomas D. Conlan, In Little Need of Divine Intervention: Takezaki Suenaga's Scrolls of the Mongol Invasions of Japan. Cornell East Asia Series, 2001. open
  • Mark Schumacher, Fujin - Japanese God of Wind. A-to-Z Photo Dictionary of Japanese Buddhist & Shinto Deities, 2013.
  • Felicia Gressitt Bock, Engi-shiki: Procedures of the Engi Era (Books 6-10). Sophia University, 1972. open

Name and epithets

The popular teonym Fūjin is composed of the kanji 'Fū' (風, wind or air current) and 'Jin' (神, kami or divine spirit).

In the ancient sources

Kojiki (Records of Ancient Matters), 712 CE. Authoritative court chronicle recording the expulsion of ocean mists by Izanagi's breath and the birth of Shinatsuhiko. Nihon Shoki (Chronicles of Japan), 720 CE.

The myths

Izanagi's Divine Exhalation and the Cleansing of the Mists. As recorded in the 'Kojiki' (Book 1, Chapter 6), following the formation of the initial islands of Japan upon the primordial waters, the creator deities Izanag…

Worship and archaeology

The veneration of Fūjin and the wind deities encompasses ancient agrarian rituals and vibrant urban festivals across Japan.

How the god was depicted

Fūjin's classical iconography represents one of the most vibrant dynamic motifs in Japanese art. He is depicted with an expressive demonic visage, featuring a wide-open mouth showing sharp fangs, raised eyebrows, and a…

What scholars debate

Transition from Aniconic Kami to Central Asian Demonic Imagery. Art historians and religious scholars demonstrate that in early Shinto texts like the Kojiki and Engishiki, Shinatsuhiko was conceived as an aniconic, atmo…

After antiquity

Fūjin remains an enduring cultural icon in modern Japan and internationally. The visual motif popularized by Tawaraya Sōtatsu and later Rinpa masters such as Ogata Kōrin defined a pinnacle of Japanese decorative aesthet…

Did you know?

The wind bag carried by Fūjin has Hellenistic origins, traceable to the mythical bag of winds of the Greek god Aeolus transmitted eastward along the Silk Road through Gandharan art.

Codex relic

Bag of Winds. A great bag over his shoulders from which he releases all the winds of the world, from breeze to typhoon.

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