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Portrait of Viracocha, Inca deity
Inca
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Inca

Viracocha

The Creator of the World

Domain
Creation, Wisdom & Civilization
Alignment
Lawful Good
Element
Light
Relics of Power
Solar Staff
Speak with Viracocha

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Inca
Region
Andes mountains
Period
15th – 16th c.

The Inca gods were worshipped along the Andes, from present-day Peru to Chile, from the sacred capital of Cusco. The emperor (Sapa Inca) was held to be the son of the sun Inti, and the people honored the earth-mother Pachamama with offerings. The cult was suppressed after the Spanish conquest, but persists in living Andean traditions.

The Inti Raymi, the Festival of the Sun, gathered the empire in Cusco at the winter solstice — and is re-enacted to this day. The Coricancha temple had walls covered in gold, and offerings to Pachamama remain alive in the Andes, with coca leaves and ritual bundles.

At a glance

Viracocha (Apu Qun Tiksi Wiraqucha Pachayachachiq) is the supreme creator deity, the primordial demiurge of the universe, architect of the Andean mountain ranges and supreme civilizing master in Inca and pre-Columbian Andean cosmology. Emerging from the dark and mysterious waters of the sacred Lake Titicaca in the primordial darkness that preceded the time of men, he ordained the resplendent birth of the sun (Inti), the silvery moon (Mama Quilla) and the myriad astral constellations from the mythical Island of the Sun. Having destroyed the first imperfect generation of rebellious stone giants through a torrential cosmic flood (the Uno Pachakuti), he modeled the different human nations in stone in the monumental city of Tiwanaku, assigning to each ethnic group its typical clothing, languages, seeds and agricultural customs, before breathing the breath of life into them through caverns and sacred springs (pacarinas). Wandering the Andean valleys disguised as a venerable old pilgrim in a tunic of Andean linen, staff in hand, he taught the moral law, challenged idolatry and ingratitude, and worked miracles of purifying fire before walking on the foam of the waves of the Pacific Ocean toward the west, promising to return in the fullness of time. His luminous and compassionate presence guides the Andean peoples through the cycles of cosmic time with wisdom, ecological harmony and unshakable justice. His ancestral wisdom and his staff as cosmic master remain the unshakable moral foundation of the whole Andean civilization. He is the celestial architect of the Andes whose great work remains alive in the heart of the peoples of South America.

15 min read · Reviewed on September 28, 2026 · How we research

Sacred symbols

The two staffs, the crown of rays, the sun and the tears of rain

Family

Viracocha
Genealogy according to Inca Garcilaso de la Vega, Comentarios Reales de los Incas de 1609; Pedro Cieza de León, Crónica del Perú de 1553; Juan de Betanzos, Suma y Narración de los Incas de 1551; Cristóbal de Molina, Fábulas y Ritos de los Incas

Sources and further reading

Primary sources

  • Juan de Betanzos, Narrative of the Incas. translation: Roland Hamilton and Dana Buchanan, 1996.
  • Inca Garcilaso de la Vega, Royal Commentaries of the Incas. translation: Harold V. Livermore, 1966.

Studies

  • Maria Rostworowski, History of the Inca Realm. Cambridge University Press, 1999.
  • Franklin Pease, Los Incas en la Colonia. Fondo Editorial PUCP, 1991.

Name and epithets

The name and full sacred title Apu Qun Tiksi Wiraqucha Pachayachachiq is composed in the imperial Quechua language from the most sublime concepts of Andean metaphysics: Apu (sovereign lord or protecting spirit of the mo…

In the ancient sources

Suma y Narración de los Incas., 1551 AD.. Pioneering chronicle by Juan de Betanzos, gathered directly from noble Quechua informants about the creation at Lake Titicaca. Crónica del Perú., 1553 AD..

The myths

The Creation of the Stars at Lake Titicaca and the Uno Pachakuti Flood.. In the fundamental chronicles of Juan de Betanzos and Cristóbal de Molina, it is told that at the primordial dawn of time, the Andean world lay im…

Worship and archaeology

The cult of Viracocha occupied the transcendent peak of the religious and metaphysical hierarchy of the entire Inca Empire (Tawantinsuyu), constituting the supreme theological foundation that stood above even the state…

How the god was depicted

The iconographic representation of Viracocha in pre-Columbian Andean art is immortalized in the magnificent and mysterious 'Gate of the Sun' (Puerta del Sol) of Tiwanaku, in the famous Raimondi Stela of the Chavín cultu…

What scholars debate

The Question of Andean Monotheism and the Reinterpretations of the Colonial Chroniclers.. Renowned Quechua ethnohistorians, anthropologists and linguists such as Franklin Pease, María Rostworowski, Henrique Urbano and J…

After antiquity

In the Andean present and in Latin American and global culture, Viracocha remains the supreme expression of the ontological dignity, ecological wisdom and spiritual heritage of the native peoples of South America.

Did you know?

On the Island of the Sun (Isla del Sol), in Lake Titicaca, visitors can still see the sacred rock Titi Kharka ('The Rock of the Puma'), from where the oldest traditions state that Viracocha ordered the first birth of th…

Codex relic

Solar Staff. The two rayed staffs he wields, symbols of the sun and the thunder with which he ordered the cosmos.

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