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Portrait of Mama Quilla, Inca deity
Inca
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Inca

Mama Quilla

The Mother Moon

Domain
Moon, Time & Women
Alignment
Neutral Good
Element
Light
Relics of Power
Silver Disk
Speak with Mama Quilla

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Inca
Region
Andes mountains
Period
15th – 16th c.

The Inca gods were worshipped along the Andes, from present-day Peru to Chile, from the sacred capital of Cusco. The emperor (Sapa Inca) was held to be the son of the sun Inti, and the people honored the earth-mother Pachamama with offerings. The cult was suppressed after the Spanish conquest, but persists in living Andean traditions.

The Inti Raymi, the Festival of the Sun, gathered the empire in Cusco at the winter solstice — and is re-enacted to this day. The Coricancha temple had walls covered in gold, and offerings to Pachamama remain alive in the Andes, with coca leaves and ritual bundles.

At a glance

Mama Quilla (standardized Modern Quechua Mama Killa, literally “Mother Moon”) is the supreme lunar deity, patroness of women, gestation, marriage and the liturgical calendar in the religion of the Inca Empire (Tawantinsuyu). Divine sister and consort of the sun god Inti, Mama Quilla embodied the feminine, nocturnal counterpart in the Andean cosmos, symbolically associated with polished silver (qullqi) and revered in Inca theology as the “tears of the moon”. In the sacred complex of the Qorikancha in Cusco, she had a sanctuary of her own adjacent to the temple of the Sun, whose walls were entirely plated with sheets of solid silver and which housed a colossal silver disc engraved with feminine facial features. Her cult was officiated exclusively by a hierarchy of noble priestesses headed by the reigning empress (the Coya), who was venerated on earth as the living embodiment of Mama Quilla. During lunar eclipses, the Andean population entered ritual alert, raising shouts, beating drums and provoking dogs to howl in order to drive away the jaguar or cosmic serpent trying to devour the silver body in the sky.

6 min read · Reviewed on September 28, 2026 · How we research

Sacred symbols

The silver disk, the full moon, the calendar and the eclipse

Family

Parents
Siblings
Mama Quilla
Unions
Children
Manco CapacMama Ocllo
Genealogy according to Inca Garcilaso de la Vega, Comentarios Reales de los Incas (1609); Cristóbal de Molina (c. 1575); Pedro Cieza de León (1553); Bernabé Cobo (1653)

Sources and further reading

Primary sources

  • Inca Garcilaso de la Vega, Comentarios Reales de los Incas. translation: Edition by Aurelio Miró Quesada, Biblioteca Ayacucho, Caracas, 1985.
  • Cristóbal de Molina, Relación de las fábulas y ritos de los Incas. translation: Edition by Henrique Urbano and Duccio Bonavia, Universidad San Martín de Porres, Lima, 2010.

Studies

  • Irene Silverblatt, Moon, Sun, and Witches: Gender Ideologies and Class in Inca and Colonial Peru. Princeton University Press, 1987.
  • Terence N. D'Altroy, The Incas. Blackwell Publishing, 2002.
  • Brian S. Bauer, The Sacred Landscape of the Inca: The Cusco Ceque System. University of Texas Press, 1998.

Name and epithets

The imperial Quechua theonym is Mama Killa, composed of the reverential noun mama (“mother”, “lady” or “venerable matron”) and the noun killa (which designates the physical Moon, the synodic lunation and the calendar mo…

In the ancient sources

Comentarios Reales de los Incas, 1609 CE. Inca Garcilaso de la Vega documents the silver sanctuary in the Qorikancha and the rite of clamor during lunar eclipses. Relación de las fábulas y ritos de los Incas, c.

The myths

The Celestial Jaguar and the Lunar Eclipse. In the cosmological beliefs recorded by Inca Garcilaso de la Vega, the Incas deeply feared lunar eclipses, conceiving the phenomenon as a violent attack in which a gigantic ja…

Worship and archaeology

The cult of Mama Quilla constituted the autonomous feminine pole of the imperial Inca religion, closely analyzed by the historian Irene Silverblatt.

How the god was depicted

In the Qorikancha, the chapel dedicated to Mama Quilla rivalled the splendour of the Sun's hall: all the stone walls were covered by thick plates of polished beaten silver, reflecting a cold, ethereal luminosity.

What scholars debate

Gender Dualism in Inca Politics and Religion. The anthropologist Irene Silverblatt and the historian Terence D'Altroy highlighted Mama Quilla's role in the Andean social structure of “gender parallelism”.

After antiquity

Mama Quilla is widely celebrated in contemporary studies of gender, ethnohistory and Andean anthropology as one of the most expressive archetypes of autonomous feminine divinity in the pre-Columbian world.

Did you know?

The traditional silver pin with a broad circular head (the tupu), used by Andean women to fasten their mantles on the shoulders, was designed after the lunar disc of Mama Quilla and served as a symbol of prestige and fe…

Codex relic

Silver Disk. The silver disk with a feminine face that shines in the night, ruling time, the cycles and the calendars.

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