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Portrait of Supay, Inca deity
Inca
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Inca

Supay

The Lord of the World Below

Domain
Death, Underworld & Mines
Alignment
True Neutral
Element
Darkness
Relics of Power
Veins of Metal
Speak with Supay

The full Codex

4 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Inca
Region
Andes mountains
Period
15th – 16th c.

The Inca gods were worshipped along the Andes, from present-day Peru to Chile, from the sacred capital of Cusco. The emperor (Sapa Inca) was held to be the son of the sun Inti, and the people honored the earth-mother Pachamama with offerings. The cult was suppressed after the Spanish conquest, but persists in living Andean traditions.

The Inti Raymi, the Festival of the Sun, gathered the empire in Cusco at the winter solstice — and is re-enacted to this day. The Coricancha temple had walls covered in gold, and offerings to Pachamama remain alive in the Andes, with coca leaves and ritual bundles.

At a glance

Supay (in the colonial Quechua spelling çupay or zupay) is the complex Andean spiritual entity originally associated with shadows, ancestral ghosts, caves and the underground depths of the Ukhu Pacha. Far from being a Manichaean personification of absolute evil in the pre-Hispanic religion of the Incas, the term designated a morally ambivalent spiritual power, able to be beneficial or dangerous according to the first Quechua lexicons of the sixteenth century. During colonial evangelization in the Viceroyalty of Peru, theologians such as José de Acosta and the bishops of the Third Lima Council (1582-1583) chose the word supay to translate the Christian concept of 'Devil' or 'Demon' in indigenous catechisms and sermonaries. This forced demonization generated a powerful Andean religious syncretism, particularly alive among the workers of the silver and tin mines of Potosí and Oruro (in Bolivia), where Supay became El Tío ('The Uncle'), the absolute lord of the underground galleries, who protects miners from cave-ins and reveals the metal veins in exchange for offerings of coca leaves, cigarettes and cane liquor, celebrated every year in the famous Diablada dance of the Oruro Carnival.

5 min read · Reviewed on September 28, 2026 · How we research

Sacred symbols

The caves, the metals, the subterranean fire and the horned masks

Sources and further reading

Primary sources

  • Fray Domingo de Santo Tomás, Lexicon, o Vocabulario de la lengua general del Peru. translation: Facsimile edition by Raúl Porras Barrenechea, Instituto de Historia, Lima, 1951.
  • Diego González Holguín, Vocabulario de la lengua general de todo el Perú llamada lengua Qquichua. translation: Edition by Raúl Porras Barrenechea, Universidad Nacional Mayor de San Marcos, Lima, 1952.

Studies

  • Michael T. Taussig, The Devil and Commodity Fetishism in South America. University of North Carolina Press, 1980.
  • June Nash, We Eat the Mines and the Mines Eat Us: Dependency and Exploitation in Bolivian Tin Mines. Columbia University Press, 1979.
  • Pierre Duviols, La destrucción de las religiones andinas: Conquista y cristianización. Universidad Nacional Autónoma de México, 1977.

Name and epithets

The theonym in archaic Quechua is Çupay or Supay. In the first printed vocabulary of the general language of Peru, published by Fray Domingo de Santo Tomás in 1560, the term is translated as 'good or bad angel, goblin,…

In the ancient sources

Lexicon, o Vocabulario de la lengua general del Peru, 1560 CE. Domingo de Santo Tomás publishes the first lexical definition of supay as an ambivalent entity.

The myths

Sovereignty in Ukhu Pacha and the Mineral Veins. In the Andean cosmological division, the lower world Ukhu Pacha was not a hell of moral punishment, but the regenerative and mysterious womb of the earth, from which unde…

Worship and archaeology

The contemporary cult derived from Supay survives intensely in the mining religiosity of Bolivia and Peru in the form of the worship of El Tío.

How the god was depicted

The visual iconography of Supay underwent a profound historical transformation. While pre-Hispanic sources gave him no fixed physical representation beyond spectral forms or shapeless shadows, the Spanish Baroque impose…

What scholars debate

Theological Demonization and Colonial Linguistic Violence. Ethnohistorians and liberation theologians such as Henrique Urbano and Pierre Duviols analyzed the decision of the Third Lima Council in 1583 to translate 'diab…

After antiquity

Supay and his manifestation as El Tío are objects of continuous study in the anthropology of labor, the sociology of religion and Latin American cultural studies.

Did you know?

During the Carnival of Oruro in Bolivia, the Diablada dance culminates in the entry of thousands of masked devils into the Sanctuary of the Virgin of the Socavón, where the dancers kneel before the Catholic altar, seali…

Codex relic

Veins of Metal. The mineral riches hidden in the bowels of the earth, over which he reigns in the Uku Pacha.

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