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Portrait of Chaac, Maya deity
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Maya

Chaac

The God of Rain

Domain
Rain, Thunder & Agriculture
Alignment
Neutral Good
Element
Water
Relics of Power
Lightning Axe
Speak with Chaac

The full Codex

4 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Maya
Region
Mesoamerica (Yucatán & Guatemala)
Period
c. 2000 BC – 1500 AD

The Maya gods were worshipped in the city-states of Mesoamerica, such as Tikal, Palenque, and Chichén Itzá. Astronomer-priests read the skies and the calendar to honor them at the right time, in pyramid-temples now swallowed by the jungle. Many of their myths survive in the Popol Vuh, the sacred book of the Quiché Maya.

Maya kings and queens offered their own blood in bloodletting rituals to feed the gods, and the ritual ballgame re-enacted the duel against the lords of the underworld. Cenotes such as the one at Chichén Itzá received precious offerings, guided by the 260-day sacred calendar.

At a glance

Chaac (spelled Chahk or Chaahk in classic Maya epigraphy) is the principal Maya deity of rain, atmospheric storms, lightning and the fertility of maize crops, widely attested from the Preclassic period to the contemporary era. Identified in Paul Schellhas’s pioneering classification as “God B,” Chaac is the most frequently recurring supernatural being in the surviving post-Classic hieroglyphic codices, appearing on dozens of pages of the Dresden Codex (about 74 pages) and the Madrid Codex (about 56). Iconographically, he is distinguished by a long, curved nasal appendage shaped like a trunk turned upward or downward, prominent fangs projecting from the corners of the mouth, and circular seashell ornaments over the ears. He often wields a stone axe carved with flames or lightning serpents associated with the god K’awiil, with which he strikes the heavens to release rain. In Maya cosmology, Chaac manifests both as a singular deity and as a quadruple entity associated with the four cardinal directions and their symbolic colors (red in the east, white in the north, black in the west and yellow in the south). In the arid lowlands of northern Yucatán, where surface rivers do not exist, his cult was closely tied to natural cenotes and to the community ceremonies of water petition historically known as Ch’a Cháak.

6 min read · Reviewed on September 28, 2026 · How we research

Sacred symbols

The axe, the long curved nose, the lightning and the water jars

Sources and further reading

Primary sources

  • Diego de Landa, Relación de las cosas de Yucatán. translation: Alfred M. Tozzer, Landa's Relación de las cosas de Yucatán, Peabody Museum, Harvard University, 1941.
  • Anônimo (Maias Pós-Clássicos), Códice de Dresde (Codex Dresdensis). translation: J. Eric S. Thompson, A Commentary on the Dresden Codex, American Philosophical Society, 1972.
  • Anônimo (Maias Pós-Clássicos), Códice de Madrid (Codex Tro-Cortesianus). translation: Ferdinand Anders, Akademische Druck- u. Verlagsanstalt, Graz, 1967.

Studies

  • Karl Taube, The Major Gods of Ancient Yucatan. Dumbarton Oaks, 1992.
  • Michael D. Coe, The Maya. Thames & Hudson, 2011.
  • J. Eric S. Thompson, Maya History and Religion. University of Oklahoma Press, 1970.
  • David Stuart, The Fire Enters His House: Architecture and Ritual in Classic Maya Texts. Dumbarton Oaks, 1998.

Name and epithets

The theonym Chahk (or Chaahk in the standard epigraphic transcription of the classic Maya language) is recorded in monumental texts by the logogram T668 or by phonetic complements composed of the syllables cha-ki.

In the ancient sources

Dresden Codex, 13th and 14th centuries AD.. Shows God B paddling canoes over celestial waters, planting seeds with sowing sticks and pouring rain jars. Madrid Codex, c. 1400 AD..

The myths

The Breaking of the Mountain of Sustenance and the Liberation of Maize. In the classic mythological narratives preserved in polychrome ceramic art and in oral traditions of the Maya lowlands, Chahk plays a decisive role…

Worship and archaeology

The cult of Chaac took on monumental proportions especially in the cities of Yucatán’s Puuc region (such as Uxmal, Kabah, Sayil and Labná) during the Terminal Classic period (8th to 10th centuries AD).

How the god was depicted

Chahk’s iconography is one of the richest and most consistent in Mesoamerica: the god has spiral eyes (characteristic of aquatic and solar beings), a trunk or elongated nose that curves upward or downward, pointed fangs…

What scholars debate

Identification and Architectural Function of the Puuc Masks. Art historians and archaeologists debate the exact interpretation of the thousands of stone masks covering the Puuc buildings in Yucatán.

After antiquity

Chaac is widely valued in international academic studies of archaeology and comparative religion as testimony to the extraordinary sophistication with which the Maya conceived the ecological relationship between the hyd…

Did you know?

On the main facade of the Codz Poop building at Kabah, more than two hundred and fifty individual limestone masks dedicated to Chaac were carved, constituting the largest repetitive sculptural ensemble of a single deity…

Codex relic

Lightning Axe. An axe with which he strikes the clouds to release the rain and make the thunder roll.

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