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Portrait of Konohanasakuya-hime, Japanese deity
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Konohanasakuya-hime

The Goddess of Blossoms and Mount Fuji

Domain
Blossoms, Volcanoes & Fleeting Life
Alignment
Neutral Good
Element
Earth
Relics of Power
Cherry Blossom
Speak with Konohanasakuya-hime

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Japanese
Region
Japanese archipelago
Period
c. 500 BC – present

The kami of Shinto have been worshipped in Japan since time immemorial, in thousands of shrines across the archipelago. The imperial family claims direct descent from the sun goddess Amaterasu, and the cult coexists with Buddhism brought from the mainland. Festivals (matsuri) and purification rites keep these beliefs alive to this day.

Matsuri fill the streets with processions of portable shrines (mikoshi), drums, and dances. The great shrine of Ise, dedicated to Amaterasu, is rebuilt every twenty years, and at hatsumode millions visit the shrines at New Year to ask for blessings.

At a glance

Konohanasakuya-hime (木花之佐久夜毘売 / 木花開耶姫, whose full archaic title in the Kojiki is Kamu-atatsu-hime) is the Shinto kami personifying the ephemeral beauty of cherry blossoms, vernal fertility, and volcanoes in Japan, revered as the supreme tutelary divinity of Mount Fuji under the sacred name Asama no Okami (浅間大神). Daughter of the primordial mountain god Oyamatsumi and consort of the heavenly grandson Ninigi-no-Mikoto, her mythic narrative forms a cornerstone of classical Japanese lore preserved in the 'Kojiki' (712 CE) and 'Nihon Shoki' (720 CE). When Ninigi rejected her elder sister Iwanaga-hime—the goddess of eternal rock—due to her coarse appearance, the celestial sovereigns were cursed with mortal, fleeting lives as fragile as blooming blossoms. When Ninigi questioned her chastity after she conceived on their wedding night, Konohanasakuya retreated into a sealed, doorless parturition hut and set it ablaze, vowing that her offspring would perish if born of terrestrial deceit but emerge unharmed if sired by the heavenly descendant; amidst roaring flames, she delivered the three divine princes Hoderi, Hosuseri, and Hoori unscathed. Dynastic court records such as the 'Nihon Sandai Jitsuroku' document that the imperial court promoted her veneration at Fujisan Hongu Sengen Taisha in the ninth century to pacify catastrophic volcanic eruptions, cementing her role as the sovereign spirit capable of soothing subterranean fire and protecting childbirth.

9 min read · Reviewed on September 30, 2026 · How we research

Sacred symbols

The cherry blossom, Mount Fuji, the fire of childbirth and the brief life

Family

Parents
Oyamatsumi (sovereign Shinto kami of mountains)
Siblings
Iwanaga-hime (elder sister, goddess of enduring stone and immutable longevity)
Konohanasakuya-hime
Children
Hoderi (Umisachihiko, prince of marine fortune and tide master)Hosuseri (prince born amid the vigor of intermediate flames)Hoori (Yamasachihiko / Hikohohodemi, dynastic ancestor of Emperor Jimmu)
Genealogy according to Kojiki 1.37-39; Nihon Shoki 2.20-22 (Jindai Ge); Engishiki 9-10 (Jinmyocho)

Sources and further reading

Primary sources

  • O no Yasumaro (太安万侶), Kojiki (古事記 / Records of Ancient Matters), Book 1 (sections 37 to 39). translation: Donald L. Philippi, Kojiki: Translated with an Introduction and Notes, Princeton University Press / University of Tokyo Press, 1968. read
  • Prince Toneri (舎人親王) et al., Nihon Shoki (日本書紀 / Chronicles of Japan), Book 2 (Jindai Ge, sections 20 to 22). translation: W. G. Aston, Nihongi: Chronicles of Japan from the Earliest Times to A.D. 697, Tuttle Publishing, 1972 (orig. 1896). read
  • Fujiwara no Tokihira (藤原時平) et al., Nihon Sandai Jitsuroku (日本三代実録), Scroll 9 (Jogan eruption, 864–865 CE). translation: Kokushi Taikei edition, Yoshikawa Kobunkan, Tokyo (Ministry of Land, Infrastructure, Transport and Tourism records). read
  • Fujiwara no Tadahira (藤原忠平) et al., Engishiki (延喜式), Scrolls 9 and 10 (Jinmyōchō / Register of Deities and Shrines). translation: Felicia G. Bock, Engi-shiki: Procedures of the Engi Era (Books VI-X), Sophia University, Tokyo, 1972. read

Studies

  • H. Byron Earhart, . University of South Carolina Press, 2015. open
  • Carmen Blacker, . George Allen & Unwin / Routledge, 1975. open
  • Allan G. Grapard, . History of Religions, University of Chicago Press, 1982. open
  • Delmer M. Brown, . Cambridge University Press, 1993. open
  • Nelly Naumann, . Asiatische Studien / Harrassowitz Verlag, 2000. open

Name and epithets

The archaic teonym Kono-hana-no-sakuya-bime (木花之佐久夜毘売) is a classical poetic compound: 'kono-hana' (木花) literally signifies 'the blossom of the trees' (which in ancient Japanese poetry denoted specifically the indigenou…

In the ancient sources

Kojiki (Records of Ancient Matters), 712 CE. Imperial chronicle compiled by O no Yasumaro, recounting Ninigi's union with Konohanasakuya, the rejection of Iwanaga-hime, and the ordeal of the burning hut.

The myths

The Encounter at Cape Kasasa and the Rejection of Iwanaga-hime. The 'Kojiki' relates that after descending from the heavens to Mount Takachiho in Hyuga, the heavenly grandchild Ninigi-no-Mikoto strolled along the coasta…

Worship and archaeology

Veneration of Konohanasakuya-hime under the aspect of Asama no Okami constitutes a vital cornerstone of Japanese sacred geography, encompassing a network of more than 1,300 Sengen shrines (Asama Jinja) across the archip…

How the god was depicted

In traditional Shinto painting, woodblock prints, and shrine statuary, Konohanasakuya-hime is depicted as the quintessence of classical Heian aristocratic nobility.

What scholars debate

The Pan-Asian Myth of the Choice between Rock and Flower. Scholars of comparative mythology such as Donald L. Philippi and Nelly Naumann emphasize that the rejection of Iwanaga-hime and the choice of Konohanasakuya refl…

After antiquity

Konohanasakuya-hime holds an enduring place in Japanese cultural consciousness as a supreme embodiment of beauty and the aesthetic philosophy of 'mono no aware' (the poignant awareness of impermanence).

Did you know?

The entire summit of Mount Fuji from the eighth station upward (approx. 3,360 meters altitude) is legally recognized by the Supreme Court of Japan as private sacred land belonging to Fujisan Hongu Sengen Taisha.

Codex relic

Cherry Blossom. The cherry blossom, symbol of the fleeting beauty of life and the brief flowering of all things.

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