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Portrait of Sedna, Native American deity
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Native American

Sedna

The Mother of the Sea

Domain
Sea, Hunt & Sustenance
Alignment
True Neutral
Element
Water
Relics of Power
Hair of the Depths
Speak with Sedna

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Native American peoples
Region
North America
Period
pre-colonial – present

These spirits and deities were worshipped by the many Native peoples of North America, from the Lakota to the Navajo and Iroquois. Their beliefs bind humans to the Great Spirit, to totem animals, and to balance with the land. Passed down orally, they survive in the Indigenous nations that endured colonization.

The Sun Dance gathered the Plains nations in fasting and sacrifice around the sacred tree. The Hopi dance with the kachinas, masked spirits of the rains, and the sacred pipe seals prayers and treaties — ceremonies still alive in today's nations.

At a glance

Sedna (known dialectally in Eastern Inuktitut as Sanna, and venerated as Nuliajuk among the Netsilik and Takannaaluk in the Iglulik region) is the paramount marine deity and ruler of the oceanic underworld in Inuit cosmology and religion. As documented in foundational field research by Franz Boas on Baffin Island and by Knud Rasmussen during the Fifth Thule Expedition, Sedna was originally an earthly maiden who spurned human suitors until being lured into marriage by a northern fulmar disguised as an accomplished hunter. Carried away to a desolate sea crag and confined to a filthy nest of feathers, she was eventually rescued by her father in a skin boat (umiaq). The enraged fulmar pursued them, beating its wings across the water to conjure a tempest that threatened to capsize the craft. In blind panic to save his own life, the father cast Sedna into the violent sea; when she seized the gunwale with a desperate grip, he repeatedly struck her hands with a bone knife, severing the joints of her fingers. As the amputated phalanges sank into the freezing water, the fingertips were transformed into ringed seals (netseq), the middle joints into bearded seals (ugjuk), and the remaining knuckles and palms into walruses (aivik) and whales (arveq). Plunging into the oceanic abyss, Sedna established her court at the floor of the sea in Adlivun, guarded by a fierce dog. When human hunters violate sacred subsistence taboos (aglerneq) or fail to observe birth and mourning prescriptions, human sins materialize as foul grime and vermin infesting Sedna's hair. Having no fingers to comb her tangled locks, Sedna suffers and retaliates by imprisoning the sea mammals within her underwater pool, inflicting famine upon the Arctic encampments. Restoring the ecological balance demanded the courage of the shaman (angakuq), who undertook a trance descent to the ocean floor to wash the goddess, comb her matted hair with ivory, and negotiate the release of the game.

7 min read · Reviewed on September 30, 2026 · How we research

Sacred symbols

The seal, the icy waves, the severed fingers and the black hair

Family

Parents
Anguta (also recorded as Savirqong in Baffin Land and Cumberland Sound traditions; hunter patriarch who severed his daughter's finger joints during the storm)
Sedna
Unions
The Northern Fulmar / Petrel (Qaqoqadluk in Baffin traditions recorded by Boas; seabird transformed into a handsome hunter who lured her to his oceanic cliff nest)The Primordial Dog (in Central and Eastern Arctic traditions, primeval canine husband with whom she cohabited, generating human nations and spirits)
Children
Arctic marine mammals: ringed seals (netseq), bearded seals (ugjuk), walruses (aivik), and whales (arveq), springing from her severed finger joints as they fell into the icy brine
Genealogy according to Franz Boas, The Central Eskimo (1888, pp. 583–587) e The Eskimo of Baffin Land and Hudson Bay (1901, pp. 163–165); Knud Rasmussen, Intellectual Culture of the Iglulik Eskimos (1929, pp. 62–98); Henry Rink, Tales and Traditions of the Eskimo (1875, pp. 40–42)

Sources and further reading

Primary sources

  • Boas, Franz, The Central Eskimo (Sixth Annual Report of the Bureau of Ethnology). translation: Government Printing Office, Washington, DC, 1888. read
  • Rasmussen, Knud, Intellectual Culture of the Iglulik Eskimos (Report of the Fifth Thule Expedition 1921-24, Vol. VII, No. 1). translation: Gyldendalske Boghandel, Nordisk Forlag, Copenhagen, 1929. read
  • Rink, Henry, Tales and Traditions of the Eskimo: With a Sketch of Their Habits, Religion, Language and Other Peculiarities. translation: William Blackwood and Sons, Edinburgh and London, 1875. read

Studies

  • Boas, Franz, The Eskimo of Baffin Land and Hudson Bay (Bulletin of the American Museum of Natural History, Vol. XV). American Museum of Natural History, New York, 1901. open
  • Laugrand, Frédéric & Oosten, Jarich, Inuit Shamanism and Christianity: Transitions and Transformations in the Twentieth Century. McGill-Queen's University Press, Montreal & Kingston, 2010. open

Name and epithets

The theonym Sedna gained widespread currency in anthropological literature through the fieldwork conducted by Franz Boas in the 1880s among the Oqomiut and Akudnirmiut of Cumberland Sound.

In the ancient sources

The Central Eskimo, 1888 CE. Franz Boas's seminal monograph detailing the myth of Sedna and the fulmar in Cumberland Sound, alongside the autumn shamanic festival. The Eskimo of Baffin Land and Hudson Bay, 1901 CE.

The myths

The Fulmar Husband and the Severed Finger Joints. In the foundational narrative recorded by Franz Boas in Cumberland Sound, Sedna dwelt upon a lonely shore with her widowed father, steadfastly turning away all local you…

Worship and archaeology

Inuit religious life surrounding Sedna featured no fixed temples, monumental altars, or regular sacrificial oblations, as such structures were incompatible with Arctic mobile existence.

How the god was depicted

In Inuit material culture and ivory carving, Sedna is portrayed as a majestic female figure combining human and marine attributes.

What scholars debate

. Within Arctic ethnology, scholars including Marcel Mauss ('Seasonal Variations of the Eskimo'), Claude Lévi-Strauss, and Jarich Oosten have analyzed Sedna as the central mythic axis resolving the ecological tension of…

After antiquity

Sedna stands as one of the most prominent cultural icons of indigenous Arctic art and literature. Celebrated Inuit artists including Kenojuak Ashevak and Kiugak Ashoona have depicted her across internationally acclaimed…

Did you know?

In 2003, astronomers Michael E. Brown, Chad Trujillo, and David L. Rabinowitz named the distant trans-Neptunian dwarf planet candidate 90377 Sedna in honor of the Inuit deity, citing its extreme distance and sub-freezin…

Codex relic

Hair of the Depths. The long, tangled hair in which the sea animals are caught, to be released or withheld by her will.

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