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Portrait of Xochipilli, Aztec deity
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Aztec

Xochipilli

The Prince of Flowers

Domain
Flowers, Art, Music & Pleasure
Alignment
Chaotic Good
Element
Light
Relics of Power
Floral Scepter Yollotopilli
Speak with Xochipilli

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Aztecs (Mexica)
Region
Central Mexico
Period
14th – 16th c.

The Aztec gods were worshipped by the Mexica people from their capital, Tenochtitlan, in central Mexico. They believed the sun would only move if fed with blood, which led to the famous sacrifices atop pyramid-temples. Their world was cut short by the Spanish conquest in the 16th century.

The 18-month ritual calendar brought festivals such as Toxcatl, in which a youth lived for a year as the embodiment of Tezcatlipoca. Every 52 years, the New Fire Ceremony extinguished every flame in the empire, rekindled from a single bonfire to prevent the end of the world.

At a glance

Xochipilli (in the classical normalized Nahuatl spelling Xōchipilli, literally 'The Prince of Flowers' or 'Noble Lord of the Flowering') is the venerable Mexica deity of lyric poetry, sacred song (in xochitl in cuicatl), music, festive dance, handicrafts, youthful beauty, ritual games (such as patolli) and the sacred plants that induce altered states of consciousness. Closely associated with, and at times interchangeable with, Macuilxochitl ('Five-Flower', lord of the Ahuiateteo, deities of pleasure and sensory exuberance), Xochipilli personifies cosmic joy, the solar fertility of spring and the aesthetic inspiration of nobles and artisans. His most celebrated archaeological work is the monumental statue carved in volcanic stone in the sixteenth century, found on the slopes of the Popocatépetl volcano at Tlalmanalco (today held in the National Museum of Anthropology in Mexico City), which depicts the young god enthroned in a meditative pose with his face raised in visionary trance, surrounded by botanical carvings of psychoactive plants such as teonanácatl (sacred mushroom), ololiuqui (Turbina corymbosa) and sinicuichi (Heimia salicifolia). In the ritual calendar tonalpohualli, he governed trecenas associated with creativity and received communal homage at the solemn festival of Xochilhuitl.

6 min read · Reviewed on September 30, 2026 · How we research

Sacred symbols

The flowers, the butterfly, the huehuetl drum and the pierced heart

Family

Parents
Piltzintecuhtli or Tonacatecuhtli (in cosmological traditions linking him to primordial solar origins and primeval nobility)
Xochipilli
Genealogy according to Sahagún (Historia General 1.14, 2.24); Durán (Ritos y Fiestas, cap. 38); Primeros Memoriales (260v); Códice Magliabechiano (47r); Códice Borgia (10, 57)

Sources and further reading

Primary sources

  • Fray Bernardino de Sahagún (Colegio de Santa Cruz de Tlatelolco), Historia General de las Cosas de Nueva España: Book I (Ch. XIV: Macuilxochitl) and Book II (Festivals of the Cuicacalli). translation: Critical edition by Ángel María Garibay K. (Colección Sepan Cuantos, Editorial Porrúa, México, 1982). read
  • Dominican Friar Diego Durán, Ritos y Fiestas de los Antiguos Dioses de la Nueva España (Treatise on Xochilhuitl). translation: Edition with commentary by Doris Heyden (Book of the Gods and Rites, University of Oklahoma Press, Norman, 1971, ch. 38). read
  • Nahua scribes of Tepeapulco (under Sahagún’s guidance), Primeros Memoriales (Folio 260v: The Adornments of Macuilxochitl and Xochipilli). translation: Thelma D. Sullivan et al., Primeros Memoriales: Paleography of Nahuatl Text and English Translation (Univ. of Oklahoma Press, Norman, 1997). read
  • Traditional Tlacuilos of the Mixteca-Puebla Region, Codex Borgia (Plates 10, 57 and 64: The Lord of Games and Music). translation: Eduard Seler and Karl Anton Nowotny, Códice Borgia: Facsimile and Commentaries (Akademische Druck- u. Verlagsanstalt, Graz, 1976). read

Studies

  • R. Gordon Wasson, The Wondrous Mushroom: Mycolatry in Mesoamerica (Botanical and historical study of the statue from Tlalmanalco). McGraw-Hill Book Company, New York, 1980. open
  • Richard Evans Schultes and Albert Hofmann, Plants of the Gods: Origins of Hallucinogenic Use. McGraw-Hill, New York, 1979. open
  • Alfonso Caso, El pueblo del sol (The religion and symbolic art of the Aztecs). Fondo de Cultura Económica, Mexico City, 1953. open
  • L. López Luján (Templo Mayor Project), Las ofrendas del Templo Mayor de Tenochtitlan (Catalogue of votive offerings to Macuilxochitl). Instituto Nacional de Antropología e Historia, Mexico City, 1993. open

Name and epithets

The Nahuatl theonym Xōchipilli is formed by the organic juxtaposition of two fundamental nouns: xōchitl ('flower', 'aesthetic beauty' or, in a metaphorical sense, 'song', 'poem' and 'refined art') and pilli ('noble son'…

In the ancient sources

General History of the Things of New Spain (Fray Bernardino de Sahagún), 1575–1577 CE. Documents the offerings of maize breads decorated with flower designs and the prayers chanted by painters and embroiderers to obtain…

The myths

The Sacred Inspiration and the Song of Flowers. As preserved in the poetic and oral traditions gathered by Fray Bernardino de Sahagún and Diego Durán, Xochipilli was conceived as the divine spark that awakened spiritual…

Worship and archaeology

The cult of Xochipilli and of his calendrical manifestation Macuilxochitl mobilized guilds of artists, musicians, codex painters (tlacuilos), weavers specialized in feathers and players of the ritual board game througho…

How the god was depicted

The iconography of Xochipilli and Macuilxochitl is one of the richest and most detailed in Mesoamerican art. In pictographic manuscripts such as the Florentine Codex and the Codex Magliabechiano, the god is depicted wit…

What scholars debate

The Botanical and Entheogenic Nature of the Tlalmanalco Sculpture. The scientific interpretation of the plant reliefs of the Xochipilli statue generated intense academic debate throughout the twentieth century.

After antiquity

In modern times, the figure of Xochipilli transcended archaeological studies to become an icon of the celebration of art, diversity and freedom of expression.

Did you know?

In Mexica society, players of the famous ritual game patolli placed a small effigy of Macuilxochitl or Xochipilli beside the board and invoked its name before throwing the bean seeds that served as dice.

Codex relic

Floral Scepter Yollotopilli. A scepter topped with a pierced human heart, symbol of the ecstasy of art and pleasure.

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