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Portrait of Hina, Polynesian deity
Polynesian
Tap or drag
Polynesian

Hina

The Goddess of the Moon

Domain
Moon, Tides & Craft
Alignment
Neutral Good
Element
Water
Relics of Power
Bark Cloth (Tapa)
Speak with Hina

The full Codex

5 sections of this entry are open to everyone: the summary, the people, the symbols, the lineage and the sources. The other 9 (Name and epithets, In the ancient sources, The myths, Worship and archaeology, How the god was depicted, What scholars debate, After antiquity, Did you know?, Codex relic) are part of the full Codex: PRO opens the whole study of all 500 deities, and without a subscription you can read one full entry a day, just like in the app.

The People

People
Polynesian peoples
Region
Pacific islands
Period
c. 1000 BC – present

The Polynesian gods were worshipped by the navigators who colonized the Pacific islands, from Hawaii to New Zealand and Easter Island. They honored them on sacred platforms (marae) and through the concept of mana, spiritual power. Their myths, such as those of the hero Maui, are still told among the Maori and Hawaiians.

On the marae, sacred stone platforms, priests offered first fruits and invoked the gods before fishing and war. The kapu (taboo) system ruled what was sacred and forbidden, and in Hawaii the hula was born as a devotional dance to goddesses like Pele and Laka.

At a glance

Hina (also known under the variants Sina in Samoa and Tonga, Ina in the Cook Islands, and Hine-te-iwaiwa among the Māori of Aotearoa) is the archetypal primordial female deity of the moon, of reproductive cycles, of the making of sacred bark cloth (kapa or tapa), of childbirth and of coastal reefs throughout the Polynesian triangle. Embodying the dignity and autonomy of women of high lineage, Hina appears in multiple mythological cycles: in Hawaiʻi, under the name Hina-hanaia-i-ka-malama ('The Woman Who Works on the Moon'), she escaped earthly restrictions and taboos by climbing the rainbow to the moon, where she established her eternal dwelling by rhythmically beating paper-mulberry bark to line the firmament with luminous clouds. In shared narratives from Rarotonga, Mangareva and New Zealand, she is associated with the origin myth of the coconut palm, which grew from the decapitated head of the eel-god Tuna, who had fallen in love with her. Among the Māori, under the sacred title Hine-te-iwaiwa, she is venerated as the foremost protective goddess of safe childbirth, of women's rites of passage and of the ceremonial art of weaving flax (harakeke) cloaks, presiding over the sphere of restoration and welcome for mothers and newborns.

8 min read · Reviewed on September 28, 2026 · How we research

Sacred symbols

The moon, the tapa-beating mallet, the tide and the gourd

Family

Parents
Varies by regional tradition: daughter of Mahina (the Moon) or generated in primordial genealogies of Wakea
Hina
Unions
Tinirau / Sinilau (lord of fish and ocean life in pan-Polynesian lore)ʻAikanaka (terrestrial chief in the Hawaiian genealogical cycle of Maui)
Children
MauiPuna and Hema (ancestral figures and voyagers in heroic cycles)
Genealogy according to Martha Beckwith, Hawaiian Mythology (1940, cap. 15); W. D. Westervelt, Legends of Ma-ui (1910, caps. 13 e 15); Sir George Grey, Polynesian Mythology (1855); Edward Tregear (1891)

Sources and further reading

Primary sources

  • Beckwith, Martha Warren, Hawaiian Mythology. translation: New Haven: Yale University Press, 1940 (reprinted Honolulu: University of Hawaii Press, 1970). read
  • Westervelt, William Drake, Legends of Ma-ui — a Demi God of Polynesia, and of His Mother Hina. translation: Honolulu: The Hawaiian Gazette Co., 1910. read
  • Grey, Sir George, Polynesian Mythology, and Ancient Traditional History of the New Zealand Race. translation: London: John Murray, Albemarle Street, 1855. read
  • Shortland, Edward, Maori Religion and Mythology: With Notes on the Land Tenure of the New Zealanders. translation: London: Longmans, Green, and Co., 1882. read

Studies

  • Tregear, Edward, The Maori-Polynesian Comparative Dictionary. Wellington, N.Z.: Lyon and Blair, Lambton Quay, 1891. open
  • Best, Elsdon (Dominion Museum), The Maori As He Was: Early Culture. Wellington: Dominion Museum, 1924. open

Name and epithets

The theonym Hina derives from the reconstructed Proto-Polynesian root *sina, originally meaning 'white', 'grey-haired', 'bright', 'silvery' or 'radiant', directly alluding to the silvery clarity of moonlight.

In the ancient sources

Hawaiian Mythology, 1940. Systematic comparative documentation on the myths of Hina on the moon, her genealogies in Hawaiʻi and her variants in Tahiti and Samoa. Legends of Ma-ui — a Demi God of Polynesia, 1910.

The myths

The Ascent to the Moon and the Beating of the Celestial Cloth. As documented by Martha Beckwith and William D. Westervelt in the traditions of Maui and Hawaiʻi, Hina lived on earth caring for her family and working tire…

Worship and archaeology

In the traditional community life of the pre-European Pacific, the cult of Hina was eminently domestic, intimate and feminine, yet essential to the social cohesion of the whole village.

How the god was depicted

In the material culture of Polynesia, Hina's presence is identified through feminine and lunar symbols. On the Hawaiian islands, petroglyphs on basalt lava surfaces depict anthropomorphic figures with raised arms and ro…

What scholars debate

The Multiplicity of Hina Figures: A Single Deity or a Collective Feminine Pantheon. Anthropologists such as Martha Beckwith and Katharine Luomala examine whether Hina represents a unitary cosmic goddess who took on diff…

After antiquity

In contemporary Pacific culture and modern Hawaiʻi, Hina remains a powerful symbol of feminine strength, cultural resilience and the preservation of ancestral knowledge.

Did you know?

On full-moon nights, the shadows visible in the lunar craters were interpreted by Polynesian peoples as the figure of Hina seated, beating mulberry bark beside her water gourd.

Codex relic

Bark Cloth (Tapa). The sacred cloth she beats on the moon, whose mallet's echo resounds in the Pacific nights.

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